“Ahmet Ertegun was a man who loved his music and wanted others to hear what may otherwise have gone unheard. . . . We first met when the Stones signed up with Atlantic. The stories began to flow and a lot of them are in these pages. Robert Greenfield has done a masterful job of relating them. . . . I shall miss Ahmet. He was a great man and a great friend!”
“Ahmet Ertegun was a man of passion, loyalty, generosity and fun, both sacred and profane, who could target like a laser what was authentic and worthwhile in the many worlds he bestrode so seamlessly and successfully. Greenfield’s fascinating biography, The Last Sultan, gets it right, and I envy readers their opportunity to experience the life and times of this extraordinary man.”
“Robert Greenfield has written a loving, vividly detailed and utterly compelling history of one of the most fascinating lives of the twentieth century. Not only do you get an insider’s account of the building of the record industry and the high times of the rock and roll circus, but of the worldly education of a young man in the diplomatic world of the European capitals and Washington D.C., and American high society in New York’s modern heyday. The Last Sultan is the remarkable odyssey of a truly remarkable man.”
—Jann Wenner, Editor, Publisher and Founder of Rolling Stone
“In many ways, this book is the Bible of rock ‘n’ roll. A sacred tale rooted in the incredible life journey of my friend Ahmet Ertegun who touched not only me but also so many other people in so many ways.”
“I found Robert Greenfield’s book on Bill Graham to be one of the best researched music business biographies ever. Now with The Last Sultan, he's topped himself. Ahmet Ertegun is not an easy subject—he was both indelible and opaque—but Greenfield has dug deeper than anyone ever has, to reveal one of the most complex Americans of the last half century."
—Taylor Hackford, Director/Producer of “Ray”
"An excellent biography of a titan in the music industry."
—Booklist (starred review)
"Mesmerizing, entertaining, informative. . . . There are a great many delicious stories in this page-turning work. . . . A vivid portrait of Ertegun but also a colorful panorama of the indie record-business during and after its rough-and-tumble years, when bootleggers sold as many singles as the real labels, gangsters were always angling to squeeze in on the action, and payola was just part of the cost of doing business."
—Tom Nolan, San Francisco Chronicle