In this knock-out collection, Major Jackson savors the complexity between perception and reality, the body and desire, accountability and judgment.
Inspired by Albert Camus’s seminal Myth of Sisyphus, Major Jackson’s fifth volume subtly configures the poet as “absurd hero” and plunges headfirst into a search for stable ground in an unstable world. We follow Jackson’s restless, vulnerable speaker as he ponders creation in the face of meaninglessness, chronicles an increasingly technological world and the difficulty of social and political unity, probes a failed marriage, and grieves his lost mother with a stunning, lucid lyricism.
The arc of a man emerges; he bravely confronts his past, including his betrayals and his mistakes, and questions who he is as a father, as a husband, as a son, and as a poet. With intense musicality and verve, The Absurd Man also faces outward, finding refuge in intellectual and sensuous passions. At once melancholic and jubilant, Jackson considers the journey of humanity, with all its foibles, as a sacred pattern of discovery reconciled by art and the imagination.
About the Author
Major Jackson is the author of five volumes of poetry, including The Absurd Man, Roll Deep, and Leaving Saturn, which won the Cave Canem Poetry Prize for a first book of poems. He has edited Best American Poetry 2019 and is a recipient of fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the Fine Arts Work Center in Provincetown. He has been awarded a Pushcart Prize and a Whiting Writers’ Award, and his work has appeared in American Poetry Review, The New Yorker, and the Paris Review, among other publications. The poetry editor of the Harvard Review, Jackson lives in South Burlington, Vermont, where he is a University Distinguished Professor at the University of Vermont.
Poems in Major Jackson’s The Absurd Man are fashioned from masks and personae, impersonations and thrown voices. How ironic then that this fifth and most daring book yet sings deeply, solemn and vulnerable, a blues for our times. One of the root meanings of the word absurd is ‘out of tune.’ To be out of tune with these years of American absurdity, Jackson’s adroit lyrics resonate through a kind of fission, the collision of selves and personal histories yielding a most genuine ore. These poems face the music of their own making.
— Gregory Pardlo, Pulitzer Prize–winning author of Digest
At the end of his richly introspective and engagingly vulnerable collection, The Absurd Man, Major Jackson, referring to his double self, also a character in the collection, observes wryly, ‘Tragically, he believes he can mend his wounds with his poetry.’ And in this everything hopeful, elegant, daring, and unsettlingly absurd about The Absurd Man is spoken. Jackson embraces the existential absurdity of this ‘tragedy’ and yet, in doing so, he gives us poems that dare to challenge hopelessness with language.