For fans of The Bell Jar comes a fictional account of Ruth, a "green girl" in England, who is desperately striving to escape the infuriating monotony of her job as a perfume saleswoman and shed the cloak of invisibility donned by all foreigners while trying to navigate her way through that sometimes glorious - but mostly painful - period between being a teenager and an adult. Ruth's story is one of acceptance and turmoil, of how the drone of everyday life becomes nauseating and unbearable, a story of autonomy and love and sex and drugs and petty girls and scheming boys and life abroad and being noticed for all the wrong reasons and friendship and heartache and consumerist culture and the art of the sale and tourism and how to stretch every last dollar and everything else that makes being a "green girl" so maddening. Ruth herself is a character that nearly every woman - and probably most men - can identify with as life with all its quirks becomes too overwhelming to keep up with and the desperation that follows. I found myself cheering her on, scolding her, being embarrassed for her, hating her, and loving her... and wanting to share her story with everyone I know.— Jess Hanlon
With the fierce emotional and intellectual power of such classics as Jean Rhys's Good Morning, Midnight, Sylvia Plath's The Bell Jar, and Clarice Lispector's The Hour of the Star, Kate Zambreno's novel Green Girl is a provocative, sharply etched portrait of a young woman navigating the spectrum between anomie and epiphany.
First published in 2011 in a small press edition, Green Girl was named one of the best books of the year by critics including Dennis Cooper and Roxane Gay. In Bookforum, James Greer called it "ambitious in a way few works of fiction are." This summer it is being republished in an all-new Harper Perennial trade paperback, significantly revised by the author, and including an extensive P.S. section including never before published outtakes, an interview with the author, and a new essay by Zambreno.
Zambreno's heroine, Ruth, is a young American in London, kin to Jean Seberg gamines and contemporary celebutantes, by day spritzing perfume at the department store she calls Horrids, by night trying desperately to navigate a world colored by the unwanted gaze of others and the uncertainty of her own self-regard. Ruth, the green girl, joins the canon of young people existing in that important, frightening, and exhilarating period of drift and anxiety between youth and adulthood, and her story is told through the eyes of one of the most surprising and unforgettable narrators in recent fiction—a voice at once distanced and maternal, indulgent yet blackly funny. And the result is a piercing yet humane meditation on alienation, consumerism, the city, self-awareness, and desire, by a novelist who has been compared with Jean Rhys, Virginia Woolf, and Elfriede Jelinek.
Kate Zambreno is also the author of two novels and three books of nonfiction. She lives in New York and teaches writing at Columbia University and Sarah Lawrence College.