In 1946, a storm-wrecked boat carrying Hollywood's most famous swashbuckler arrived dramatically and accidentally in Jamaica, and the glamorous world of 1940s Hollywood converged with that of a small West Indian society. After a long and storied career on the silver screen, Errol Flynn spent much of the last years of his life on a small island off of Jamaica, throwing parties and sleeping with increasingly younger girls. Based on those years, The Pirate's Daughter is the story of Ida, a local girl who has an affair with Flynn that produces a daughter, May, who meets her father but once.
Spanning two gererations of women whose destinies become inextricably linked with the Holly wood star, The Pirate's Daughter tells the provocative history of a vanished era, of uncommon kinships, compelling attachments, betrayal, and atonement in a paradisal, tropical setting. May, the illegitimate daughter of Errol Flynn, belongs neither to the emerging black nation of Jamaica nor to the white, expatriate society on the island. Her mother, Ida, romantically adventurous, dreams of a bigger more glamorous world than that of her small seaside town. For them both, trying to find the right way to live their lives is about discovering who they are and where they truly belong.
As adept with Jamaican vernacular as she is at revealing the internal machinations of a fading and bloated matinee idol, in this culturally sensitive and delightful novel, Margaret Cezair-Thompson weaves a saga of a mother and daughter finding their way in a nation struggling to rise to the challenge of independence.
The swimming pool dazzled her. She walked over to the edge and gazed down. Ribbons of sunlight wavered across the bottom. She knelt down and put her hand in the water.
"Hullo?"
The voice startled her but she did not pull out her hand.
"You'll fall in if you're not careful."
She saw a man standing wet in the doorway with a towel around his waist and a drink in his hand.
He saw a child who looked white but who wore a loose, faded old dress like the kind the servantsâ children wore. He noticed, however, that she had on a good pair of leather sandals. Where on earth had she come from?
"Who are you?" His voice rang out.
"May," she said, standing up, and then she remembered to say, "Iâm Eli Josephâs grand-daughter.â
She heard the crackle of ice as he lifted the glass to his lips. He studied her for a few more seconds.
"Well, come in then," he said and stood aside so she could come in.
Inside, the floor tiles were larger than any she'd ever seen and she believed that if she were to touch them they would feel cool against her palms. Some of them were wet from the manâs feet. Her eyes swept round and she took in everything quickly: the dark, polished railing of the stairway, a bar with high stools, and a huge brown leather couch where she sat down, a little embarrassed at how unsteadily she sank into it. The walls were white and bumpy, and there was an enormous painting of a black horse on the wall.
He studied her as he made himself another drink. His hands were shaking. The childâs resemblance to him was astounding.
"Where did you come from?" he asked.
"Port Antonio." He was not so white, she thought. She had seen whiter people. His tummy was big, almost like a pregnant woman, and she thought his chest looked a bit womanly too. He was almost as dark as her Lebanese grandfather was except for his very white feet. Was this him? The rich, handsome movie star everyone talked about who might be her father? Maybe not. She decided to question him.
"Where you come from?" she asked.
His eyebrows lifted in surprise, and he thought for a moment before answering her.
"Tasmania," he said.
She had never heard of it. She frowned.
"Itâs an island far from here."
"Are you my father?"
He took a sip, put his drink down, and then walked over to the couch.
His weight threw her off balance when he sat beside her, and she almost toppled onto him. He was too close for her to look at without straining her neck, so she looked at her own feet.
He touched her hair. "And you just appear, like Peter Pan," he murmured.
She looked at him, not understanding.
Margaret Cezair-Thompson is the author of a widely acclaimed previous novel, The True History of Paradise. Born in Jamaica, West Indies, she teaches literature and creative writing at Wellesley College.
Publisher: Unbridled Books
Imprint: Unbridled Books
Distributor: Unbridled Books
Pages: 432
Measurements: 9in X 6in
