A stellar host of writers explore the cornerstone of fiction writing: character
The Book of Other People is about character. Twenty-five or so outstanding writers have been asked by Zadie Smith to make up a fictional character. By any measure, creating character is at the heart of the fictional enterprise, and this book concentrates on writers who share a talent for making something recognizably human out of words (and, in the case of the graphic novelists, pictures). But the purpose of the book is variety: straight ârealismââif such a thing existsâis not the point. There are as many ways to create character as there are writers, and this anthology features a rich assortment of exceptional examples.
The writers featured in The Book of Other People include:
Aleksandar Hemon
Nick Hornby
Hari Kunzru
Toby Litt
David Mitchell
George Saunders
Colm TóibÃn
Chris Ware, and more
ââ¦But just when youâre ready to howl in frustration at the anthologification of the book worldâIâve seen the best minds of my generation, live blogging about recipes that inspire themâalong comes The Book of Other Peopleâ¦Other People collects 23 pieces by a whoâs who of 21st-century geniuses and wunderkinds, from Dave Eggers to Edwidge Dandicatâ¦Smith sent her contributors just one instruction: Make somebody up.â
âUSA Today
âTruly hip.â
âThe Boston Globe
âWhether they are old-fashioned narratives, playful improvisations or comic-strip-like tales told in pictures, these stories force us to re-evaluate that old chestnut âCharacter is destiny.â They remind us that an individualâs life is itself a narrative with a beginning, a middle and at least the intimations of an end. And they showcase the many time-honored techniques that writers use to limn their charactersâ predicaments, from straight-up ventriloquism to the use of unreliable narrators to a âRashomonâ-like splitting of perspectives.â
âMichiko Kakutani, The New York Times
âFrom its strange, graphic-novelesque coverâan array of cartoonish sketches of odd-looking faces in profile, stacked like ladder rungsâto its uncommonly eye-catching lineup of contributors, âThe Book of Other People,â a 2008 paperback from Penguin Books, is extraordinary.â
âCharlotte Observer
âIf you only read one book, make it this dazzling selection of short storiesâ¦â
âEve Magazine UK
ââ¦Some of the wittiest and wisest stories youâll read all yearâ¦â
âElle UK
âCharacter provides the thematic key to these stories, all new to this collection, from some of our finest younger contemporary fiction writers.
Editor and contributor Smith (On Beauty, 2005, etc.) invited 22 other authors, many of them (like her) better known for novels than short fiction, to write a story inspired by the creation of a character. "The instruction was simple," she writes in her introduction, "make somebody up." Yet the stories correspond to no consensus about the role of character in fiction, or a return to realism, or the responsibility of fiction to mirror society. To the contrary, what Smith believes the stories show is that "there are as many ways to create 'character' (or deny the possibility of 'character') as there are writers." The title of each story comes from the name of a character or type ("The Monster") with the selections sequenced alphabetically. Many of the writers, including Smith, come from the McSweeney's and/or Believer literary circle (Dave Eggers, Vendela Vida, Heidi Julavits, Chris Ware, Nick Hornby et al.) and most of the contributions range from the short to the very short (Toby Litt's "The Monster" is a four-page paragraph). With proceeds benefiting 826 New York (a nonprofit organization for the inspiration and development of student writing), none of the writers were paid for their work, with the results sometimes more playful (and occasionally slighter) than one has come to expect from them. Jonathan Lethem's Dickensian titled "Perkus Tooth" offers a hilarious dismissal of rock critics. A.L. Kennedy's "Frank" provides an existential parable about a man who isn't who he thinks he is. Though many of the stories have a first-person perspective, the narrator is rarely the title character, and some of the challenge for the reader can be determining whom a story is really about. In Colm T~ib"n's "Donal Webster," the name of the title character is never even mentioned, leaving the reader to guess who is addressing whom.
While the quality inevitably varies, the spirit of the anthology is that reading should be fun rather than work. âKirkus Reviews
Zadie Smith is the acclaimed author of White Teeth, The Autograph Man, and On Beauty.
Imprint: Penguin (Non-Classics)
Distributor: Penguin Group USA, Inc
Publication Date: 01-02-2008
Pages: 304
Measurements: 8.94in X 6.10in X 0.83in X 0.87lb